In his studio located in the heart of Normandy, Maxence de Bagneux sculpts clay, either on its own or by combining it with other materials to bring forth what he calls “useful sculptures.” Explore his journey, his decision to settle in Normandy, and his approach to crafting works at the intersection of art and design:

What is your background?

After completing A levels in Fine Arts and Art History in 1994, following a 7-year educational journey in England at Downside Abbey School, I returned to Paris for a year of artistic preparation at the Sèvres Studio. I then joined the Camondo School and obtained a diploma in interior architecture and environmental products in 2001. The summer after my graduation, I embarked on a journey to South Asia, initially planned for 6 months but lasting… 7 years. During this adventure, I explored the traditions, beliefs, folklore, and various crafts of the countries I traversed, and had the privilege of living in.

In 2008, enriched by my human encounters and discoveries, I decided to refocus on my personal history and work. I chose to establish my studio in Berlin, a city that attracted me for its artistic dynamism and great freedom as a European capital. I stayed there for 3 years, during which I developed a paper drawing project. The desire to move from drawing to sculpture gradually emerged.

After two years of experimenting with various mediums such as wood and embroidery, clay appeared as a natural choice. From then on, it was only natural for me to return to my native lands in Normandy. In 2014, I trained for two years at the Normandy Ceramic Centre. I earned a lathe turning CAP as well as a ceramic decoration CAP.

In 2017, I launched my “sculpture to inhabit” project under the name Mud Mud Studio. Since then, I have been developing projects inspired by clay and its techniques in my Normandy studios.

Why did you choose Normandy as your base?

As a son of the soil, I am fortunate to have at my disposal a domain in the heart of Normandy’s nature. Space, clay, water, and abundant wood – a dream for any self-respecting ceramist.

How do you choose the materials you work with?

I am always in search of the clay or technique that can best serve the project or form. I place a great deal of importance on touch and feel. Clay is a living material, and at times, I feel like clay has chosen me.

What inspires you?

My inspiration primarily comes from my travels. I let my subconscious express itself. I’m not trying to convey something specific, but I create shapes that belong to time.

Can you explain the concept of “useful sculpture”?

“Useful sculpture” or “sculpture to inhabit” stems from the desire to make everyday life an artistic act, starting from sculpture and moving towards the object, from form to function.

What are your new avenues of exploration?

Today, I’m seeking more time for pure creativity. To achieve this, I must constantly reevaluate manufacturing and production processes. Currently, I’m looking to combine molding techniques while retaining the uniqueness of each piece. I’m essentially trying to create ephemeral moldings.

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